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Beaming Directory 06
Page 05
The truth is that the man of letters forgets that this is exactly the same thought as that which haunts the busy man after, let us say, a day of looking over examination-papers or attending committees. The busy man, if he reflects at all, is only too apt to say to himself, "Here have I been slaving away like a stonebreaker, reading endless scripts, discussing an infinity of petty details, and what on earth is the use of it all?" Yet Sir Alfred Lyall once said that if a man had once taken a hand in big public affairs, he thought of literature much as a man who had crossed the Atlantic in a sailing-yacht might think of sculling a boat upon the Thames. One of the things that moved Dr. Johnson to a tempest of wrath was when on the death of Lord Lichfield, the Lord Chancellor, Boswell said to him that if he had taken to the law as a profession, he might have been Lord Chancellor, and with the same title. Johnson was extremely angry, and said that it was unfriendly to remind a man of such things when it was too late.
he eighth chapel is that of the Sposalizio, is certainly not by Aureggio, and I should say was mainly by the same sculptor who did the Presentation in the Temple. On going inside I found the figures had come from more than one source; some of them are constructed so absolutely on Valsesian principles, as regards technique, that it may be assumed they came from Varallo. Each of these last figures is in three pieces, that are baked separately and cemented together afterwards, hence they are more easily transported; no more clay is used than is absolutely necessary; and the off-side of the figure is neglected; they will be found chiefly, if not entirely, at the top of the steps. The other figures are more solidly built, and do not remind me in their business features of anything in the Valsesia. There was a sculptor, Francesco Sala, of Locarno (doubtless the village a short distance below Varallo, and not the Locarno on the Lago Maggiore), who made designs for some of the Oropa chapels, and some of whose letters are still preserved, but whether the Valsesian figures in this present work are by him or not I cannot say.
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